Regional Modernism :: The New Orleans Archives

The focus of this exhibit is a collection of abstract paintings that recall elements of specifically two demolished buildings - one destroyed before Hurricane Katrina, the Rivergate Convention Center, and one demolished after and because of Katrina, St. Frances Cabrini Church in Gentilly.

My emphasis in these paintings is to capture the essence of the buildings and to represent the feeling of turmoil, destruction and a sense of loss for those creations by using form, color, value, and textural properties of the paint.

These structures were treasures because they were the result of a vision, a collaboration of many talented artists and craftsmen expressing their dream and creativity, special skills, abilities and brilliance through their art. They were places for a community to gather, exchange ideas, worship, practice commerce, or come together and celebrate. They were treasures because of the innovative designs and engineering feats that were revolutionary at the time of their construction in the 1960's.

My father, Nathaniel C. "Buster" Curtis, Jr. was an architect, artist, and historian. He loved people, his family, his heritage and his work. He was the Chief Project Architect and Director as well as the designer of the Rivergate Convention Center and held the same title for the Louisiana Superdome. He was a gentle, humble man who was very talented and proud of his accomplishments. He died in 1997, almost two years to the day after the demolition of the Rivergate began. This exhibit is dedicated to his memory and his love of architecture.